背后的意义Timothee Chalamet红头发的“骨骼和所有”

如果你认为使用红头发作为电影的同类相食的戈尔点头有点太鼻子,你是正确的。“红色的选择人物的同情,对血液、“Gattabrusi笑着说。“红色更对能源(这个角色)。”When it came to choosing a color, the team were inspired by the hair trends from the 1980s. "We were thinking about the color of the period and strong, crazy colors like Cyndi Lauper, the more iconic rock stars," he says.

与大部分电影项目工作,Gattabrusi并不关心连续性的“骨头。”Rather, he and Chalamet decided to use Lee's hair as an emotional storytelling tool. By applying a semipermanent dye, Gattabrusi could alter Chalamet's color throughout the filming process to reflect the intensity in a given scene, playing up the boldness in some moments and keeping it softer in others. "I said to [Chalamet], 'Listen, I think we can use this — I think it can be an instrument that you use for this character.'" he says.

然而,这些变化非常微妙的,他们可能不会脱颖而出的一个不知名的观众——这正是意图,Gattabrusi说。“当我看到这部电影时,你不[通知]这颜色的变化,这就是我想要的,”他说。“这只是你感觉在后台的东西。你看不到它,但你感觉它。

创建生动的红色,Gattabrusi说他第一次漂白Chalamet黑色的头发,但是保留了他的根”感觉通过头发。”After finding a shade of red that was typical from the '80s, the stylist put it to the test — a screen test, that is — with Chalamet. "He was completely open to doing everything because he was very excited to discover the identity of the character," Gattabrusi says. "We did a test one month before [shooting began] in New York, which was the first meeting with him. We did something soft, but it wasn't enough, so we prepared to do something stronger. The second time, we [created] a really strong铜红这是非常令人印象深刻的。”

最初的染色过程花了两个小时的试验和错误。“我漂白头发几次找到合适的(数量)的黑根或更少,然后我发现适量的漂白剂,”Gattabrusi说。“那我做了三种不同强度的红色。”

然而,一旦Chalamet的头发是染色的,集的准备时间只有大约30分钟。“我喜欢给演员,和我所有的(颜色)与他合作准备之前,“Gattabrusi说。“颜色刷新带我想五分钟。”

为Chalamet找到完美的发型,Gattabrusi看着画像吸毒者和其他被剥夺权利的人。他最终偶然发现了一张照片由纽约纪录片摄影师迈克尔·约瑟夫,以一个男人的复古发型。“我发现这家伙有鲻鱼,实际上是完美的,”他说。“这成为这个角色的灵感。”

时大砍,Gattabrusi说,他特别关注Chalamet的骨骼结构和头部形状创造最炫的削减。“当我对他做了发型,我正在寻找合适的几何线他的头,他的脸,”他说。“几何发型将造就一个真正强大的形象。”

微的刘海麻仁的出色的元素来看,Gattabrusi说直接受到演员劳伦·罗塞利斯泰西Hubka 1991心理恐怖电影“沉默的羔羊”。"Luca [Guadagnino] was really in love with the little bangs," he says. Like Chalamet, Russell was more than willing to undergo a transformation for her character and even let Gattabrusi cut her hair the first day they met to discuss her look.

在影片的开头,罗素的头发梳成辫子或包子,她自然纹理穿过之后。”她开始这次旅行的自由,一步一步,头发变得更自由,更自然,更卷曲,卷曲的,“Gattabrusi说,补充说,雨、灰尘和其他环境要素的中西部射击位置有时帮助增强这种效果。

“有时我让天气工作,有时我对比天气,”他说。“我们拍摄很多夜晚,夜晚非常潮湿。我住很近没有打断她的浓度,发现正确的时刻调整她的头发场景的场景。”

詹妮尔每年科洛的字符(麻仁的母亲)不是由于大量的屏幕时间,但她仍是一个相当的影响。“吃”自己被制度化,詹妮尔帮助麻仁理解自己的倾向和拼凑她的过去。Gattabrusi说让科洛看起来被压迫的本身是一个挑战,鉴于她的自然美景。给她一个巨大的转变,他创造了一个假发,让它看起来像她头发已经发出嗡嗡声。

“我有这个短假发,我缝进她的头发,“Gattabrusi说。“我第一次把她,她有点震惊。(头发)是一个非常强大的工具来改变身份或个性。她把她的时间感觉这个角色。卢卡是兴奋的结果。克洛伊很兴奋,因为她认为这是一个很大的帮助(发展中她的角色)。只有几个镜头,但它是非常重要的,她看起来像是正确的字符与正确的头发。”